Audio golden-child Audinate mulls IPO News16 Mar 2017

Australian audio tech outfit Audinate has appointed Blackpeak Capital and Shaw and Partners to advise them as part of the decision to look at expansion options, which may include an IPO this year.


The firm, whose audio networking technology is used by the likes of Barbra Streisand, Bruce Springsteen and Foo Fighters, is looking at capital expansion options which could be a funding round or a public listing on the ASX in coming months.


“Over the last several years we’ve gone from 20 manufacturers using us back in 2010 to now 350 brands and manufacturers,” Audinate CEO Lee Ellison told The Australian in an interview. “We’re now in over 1000 products. In order to win this game it’s really important to invest in this business and keep transforming it. Our current VC partners have invested three times each, and now we’re starting to introduce new products that we’ll be launching in he latter half of this calendar year.

“That changes the landscape, its’ a software-based platform that helps improve the scalability and manageability of audio networks. Now’s the time for us to raise additional capital.”


Audinate’s main product is Dante, which came from co-founder Aidan Williams’ interest in music, production and computers. “I’d been working at Motorola in Sydney, on a group of technologies around plug and play networking,” Mr Williams said. “Dante was really about trying to shift the way people cable and assemble their audio systems into the IT universe, rather than having to plug in two or four cables per system.”

He says what Dante did was reduce the latency of live sound over ethernet from around 100 milliseconds to just one millisecond, making made it a viable form of transmission for audio.


Mr Williams said Audinate started life at Motorola’s Australian research centre, before that closed and about 50 R&D staff were laid off.

“We were back to ground zero, so we pitched a project to NICTA on high-performance AV networking technology,” he said. “It was at NICTA we did the fundamental research, basic R&D and tech development that became Dante. We spent three years on the tech and getting the first Australian companies interested in the technology, before landing our first deal with Dolby.”


After spinning off from NICTA, the Audinate team met the late Australian sound engineer called Bruce Jackson, who began his career mixing for Elvis Presley before touring for a decade with Bruce Springsteen and moving on to work with Barbra Streisand. Mr Jackson went on to be a major supporter of Audinate, and Dante and helped to facilitate their relationship with Dolby and also help them prove their chops with live concerts.

“Bruce Jackson was a colourful character, he was a legend of the Australian audio industry and passed away in a very rock and roll fashion, during a plane crash in Death Valley a couple of years ago,” Mr Ellison said. “He was huge for us.”


The company has raised about $16m, from Starfish Ventures and Innovation Capital. According to Mr Ellison, most VC firms invest in a promising start-up for five to seven years, and then sell their stake. Most go through a recurring life cycle pattern where they raise money for a fund, then manage it, then turn a profit and start again.


Instead of doing that with Audinate, Starfish Ventures and Innovation Capital realised the big-picture potential on offer and took a long-term bet that’s continuing today, with both funds still major stakeholders in the company.


He said the two VC firms realised that it was going to take 10 years, not five, for Audinate to achieve its goals.

“In terms of the initial capital raising we talked to a lot of VC firms, and that is not the easiest process in terms of getting initial investment and getting people interested with audio tech. We’ve done a lot with the reasonably small amount of investment, and with a good team. And think we’ve had good investors in Starfish and Innovation Capital.


“Certainly with Starfish they saw where the tech could go in its ability to change the way the industry works, and they’ve ben suprirsingly patient. They’ve been investors for ten years, and we’ve benefited from their longer term view of where the technology could go and the longer term upside of where it may be.”

The pair said it was fulfilling to be achieving their global ambitions, given they’ve cemented deals with the world’s biggest companies including Yamaha, Bose, Harman, Sennheiser, Shure, Crestron, Sony, Extron and Bosch.

“One important thing from day one was that we start this as an international company, with a desire to access global markets,” Mr Ellison said.

“We’ve done that.”


Source: Swan, D 2017, "Audio golden-child Audinate mulls IPO" The Australian, 16 March, accessed online via


Related Articles
News07 Mar 2018 Shaw and Partners appointed Co-Manager to the CommBank PERLS X Capital Notes offer
Commonwealth Bank of Australia today announced the offer for a new Tier 1 Hybrid, CommBank PERLS X Capital Notes (“PERLS X”) (“Offer”).   Shaw and Partners has been appointed Co-... Read More
News05 Mar 2018 Shaw and Partners appointed Joint Lead Manager to the Blue Sky Alternative Investments capital raising
Shaw and Partners has been appointed Joint Lead Manager to the proposed capital raising by Blue Sky Alternative Investments Limited (ASX.BLA).   Blue Sky Alternative Investments ... Read More
News26 Feb 2018 Shaw and Partners Race Team officially launches in Sydney Harbour
  Shaw and Partners is proud to announce a new partnership with Bennett, Maui Jim, Vaikobi, Epic, Fenn, Oceanpaddler and Think Kayaks to launch the Shaw and Partners Race Team. ... Read More
News26 Feb 2018 Shaw and Partners appointed Co-Manager to the MCP Master Income Trust capital raising
Shaw and Partners has been appointed Co-Manager in relation to the MCP Master Income Trust (ASX:MXT) capital raising.   MCP Master Income Trust has announced a non-renounceable 1... Read More
A - Z  % Change  
{{data.Symbol}} {{data.CompanyName}} {{data.Close}} {{data.AsAt | date :'shortTime'}} {{data.Movement | number : 2}} {{data.MovementPercent | number: 2}}%